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It is suggested to understand ‘doing nothing’ in the sense of ‘being’ and through the prism of a spiritual exercise: as a possibility to create a void, to experience inaction and being present to oneself.

Participants to this performance are asked to accomplish a paradoxical task – to explore a state only defined by negationStrictu sensu, one cannot do nothing: our bodies require at least minimal activity, our heads at least minimal thoughts forming, our senses at least minimal perceptions captured. Therefore, ‘doing nothing’ proposes an exercise of awareness where expanding emptiness can be gained by refraining from any action, time and again.

Far from an attitude of passivity, this approach is close to the concept of wu wei taking its origin from Chinese philosophy: agency without acting. Activating an inner space in deep connection to the self, while sitting quietly, ‘doing nothing’ reveals its generative emancipatory potential.

In whichever way 'doing nothing' is enacted concretely, the contract signed by participants formally recognizes that what they are doing is what 'nothing' is.

Visitors of an exhibition space are suggested to 'do nothing' is a (situational) (expanded) performance by artist Katya Ev. It will be enacted by the artist for the first time in December 2020

For future enactments the artist opens the possibility to any person to realise this performance, within the total finit number of 2000 and through a legal agreement including the  the artist's score and guidelines 


Katya Ev's particular interest in modes and forms of conservation of performance art evolves into experimental and moving re-enactment modalities, that embrace new circumstances and locations. Her approach questions how to frame the essence of a performative works in ways appropriate for sales, archives, transfers of authorship rights, reenactment, reproduction. ​